DYES - GLAZES |
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GOLDEN WATER-BASED GLAZES
Product Description:
GOLDEN Acrylic Glazing Liquid is a 100% Acrylic, water-based emulsion, developed to be used with waterborne systems for interior glazing applications. Acrylic Glazing Liquid can be used for a wide variety of techniques which require longer open times including:
- Wood Graining
- Marbling
- Trompe L'Oeil
- Additive and Subtractive Techniques
- Glazing
- Various other fine art techniques
Mix with Acrylic or Latex Paints
This product can be mixed with any waterborne paint color to achieve the desired glaze. It has an open time of 10 to 30 minutes (see Recommendations below on how to maximize), and dries with excellent film clarity. Acrylic Glazing Liquid offers a safe alternative to solvent based paint systems without forfeiting the working time that is required for creating intricate patterns. Available in Gloss and Satin finishes.
Acrylic Glazing Liquid can be added in any desired amount. Adding small amounts (approx. 25%) to paints will increase brushablility. Adding 1 part paint to 10 parts Acrylic Glazing Liquid produces transparent glazes with excellent open times.
Working Properties:
| Open Time: |
Working Time is typically 10 to 30 minutes, depending on a number of factors. Humidity and temperature, absorbency of surface, and blowing air will all impact the amount of open time. Work on walls with at least two coats of Semi-gloss house-paint for maximum working time. *See increasing open time section below. |
| Coverage: |
400-2,000 square feet per gallon for typical wall glazes, depending on techniques from brushing to sponging. |
| Thinning: |
Brush or roller-applications should not require thinning, but Acrylic Glazing Liquid may be thinned with up to 20% water. |
| Film Formation Parameters: |
Minimum film formation temperature is 49°F/9°C. Avoid freezing. Do not mix with oils. Paint on any non-oily surface. Abrade nonabsorbent surfaces (metals, glass, plastics, oil-based paints, etc.) for increased adhesion. |
| Appearance: |
The product is milky white when wet, but dries with very good film clarity. In the wet state, colors will appear weaker and lighter. When mixing glazes, test the strength by applying on paper to assure the desired dried look. |
| Clean-up: |
Clean tools with soap and water. Keep tools wet while working. |
Recommendations:
Blending with Paints: Mix the desired quantity of Golden Acrylic colors, other brands of acrylic paints, or house-paints (must be water-based) with the Glazing Liquid to produce the desired glaze or faux finish. A good starting point for transparent glazes is 10:1 (Acrylic Glazing Liquid to paint).
Increasing Working (open) Times:
Seal surface to be painted using a Satin or Gloss base paint. Matte paints, such as a flat housepaint or artist’s gesso, soak up the acrylic glazes too quickly, thus reducing working time. Sealing the suface, ideally with a gloss base, allows for maximum working time.
Any breeze flowing over the glazing surface will make acrylic glazes dry more quickly. To maximize the actual working time, cover or close vents or windows which blow air directly across the surface. Once the technique has been completed, open windows and allow proper airflow.
Weather conditions greatly influence working times. Hot dry climates, and direct sun exposure will reduce working time. Ideal conditions are cool, rainy, high humidity climates.
Applying a layer of the Acrylic Glazing Liquid to the surface before applying the colored glaze will increase the amount of working time.
A spritz of water, to cool down and moisten the surface, will increase open time. Also try lightly misting surface while working. This is especially useful for maintaining a wet edge. Use a horse or plant mister for best misting application.
Have paints and tools ready before starting. Keep them out of direct sunlight and cool if possible.
On large areas, apply the acrylic glaze in a jagged, "puzzle-piece" manner. Work towards the wet edge, leaving 3 to 6 inches unworked. Stipple, rag, etc. up to this unworked wet edge. To continue, work across the area by adding more wet glaze to fit into the wet edge "puzzle". This technique helps to break up the design so that it appears more natural.
Only apply glazes as far as you can reach. Try to work with another person when painting a large surface, such as a wall.
After the desired technique is complete, utilize the conditions that speed up the drying process, such as breeze, higher temperatures and lower humidity.
Fine Art Applications
Acrylic Glazing Liquid also proves useful in fine art glazing applications, such as murals and easel painting. Use this product in the same manner as an oil painter uses linseed oil and turpentine. Below is a list of possible uses of Acrylic Glazing Liquid techniques.
- slow drying color glazes.
- thinning medium for better brushability.
- pre-glazing before paint application.
- smoother wet-on-wet blending.
It is imperative that this product be used for thin layer applications. Thick layers of the Glazing Liquid will not dry properly, remaining tacky for extended times.
Copyright 1997 Golden Artist Colors
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